Brabazon.net
 

Bibliography
books | chapters in books | Year's Work contributions | journal articles

Books

The revolution will not be downloaded:  dissent in the digital age (Oxford: Chandos, 2008; editor)

[>> Brabazon.net Dissent page]

University of Google

The University of Google: Education in the (post)information age (Aldershot: Ashgate, 2007)

[>> Brabazon.net Google page]

Playing on the Periphery

Playing on the Periphery: Sport, Identity and Memory (London: Routledge, 2006)

[>> Brabazon.net Playing page]

From Revolution to Revelation

From Revolution to Revelation: Generation X, Popular Culture and Popular Memory (Aldershot, Hants: Ashgate, 2005)

[>>Ashgate RTR page]
[>> Brabazon.net RTRpage]

Liverpool of the South Seas

Editor of Liverpool of the South Seas: Perth and its Popular Music (Perth: University of Western Australia Press, 2005)

[>> UWA Press Liverpool page]
[>> Brabazon.net Liverpool page]

Digital Hemlock: Internet education and the poisoning of teaching

Digital Hemlock: Internet Education and the Poisoning of Teaching (Sydney: University of New South Wales Press, 2002)

[>> UNSW Press Hemlock page]
[>> Brabazon.net Hemlock page]

Ladies who Lunge

Ladies Who Lunge: Celebrating Difficult Women (Sydney: University of New South Wales Press, 2002)

[>> UNSW Press Ladies page]
[>> Brabazon.net Ladies page]

Tracking the Jack

Tracking the Jack: A Retracing of the Antipodes (Sydney: University of New South Wales Press, 2000)

[>> UNSW Press Jack page]
[>> Brabazon.net Jack page]

Chapters in Books

“Won’t get googled again:  searching for an education,” in J. Lockard and M. Pegrum (eds.), Brave New Classrooms:  Educational Democracy and the Internet, (New York:  Peter Lang, 2007), pp. 153-168

"Berndt Stange: the celebrity manger," in B. Hutchins and M. Phillips (ed.), Sporting Icons (Sydney: UNSW Press, 2007)

"Christmas media," in S. Whiteley (ed), Christmas, Ideology and Popular Culture (London: Routledge, 2006) (forthcoming)

"Wiring God's Waiting Room: the Greying of Internet Literacy," in T. Brabazon (ed), Access all areas: the building of an e-democracy, currently under review by UNSW Press

"September 11 and the loss of critical literacy," in J. Lockard and M. Pegrum (eds.), Brave New Classrooms: Educational Democracy and the Internet, publication details forthcoming.

"British colonialism," in P. Beilharz and T. Hogan (eds.), Introducing Sociology: Place, time and division (London: Palgrave, 2005)

"Going Off-World after the Cabaret," in T. Brabazon (ed.), Liverpool of the South Seas: Perth and its popular music (Perth: UWA Press, 2004) forthcoming

"Not of London anymore," in T. Brabazon (ed.), Liverpool of the South Seas: Perth and its popular music (Perth: UWA Press, 2004) forthcoming

"You've got about a year," in T. Brabazon (ed.), Liverpool of the South Seas: Perth and its popular music (Perth: UWA Press, 2004) forthcoming

"Britain's last line of defence: Miss Moneypenny and the desperations of filmic feminism," in Christoph Lindner (ed.), The James Bond Phenomenon: A Critical Reader (Manchester: Manchester University Press, 2003)

"Neon Girls," in Stuart Clarke (ed.), Football in our Time: A Retrospective of all of The Homes of Football (London: Mainstream Publishing, 2003).

"The best on Earth in Perth? Aerobics and feminism," in Dennis Hemphill and Caroline Symons (eds.) Bending the Rules: Gender, Sexuality and Australian Sport (Melbourne: Walla Walla Press, 2002)

"A pig in space? Babe and the problem of landscape," in Ian Craven (ed.), Australian film: Texts and Contexts (London: Frank Cass, 2001)

"Beyond Calais: Michael Palin and the construction of a foreigner," in Franz Oswald and Maureen Perkins Europe—Divided or United? (Dickson: Southern Highlands Publishers, 2000)

"Reclaiming the visual world: Beatlemania, Beatle photographs and a female gaze," in Penelope Hetherington and Philippa Maddern (eds.), Sexuality and Gender in History (Nedlands, WA: Penelope Hetherington & Philippa Maddern, 1993)

Year's Work contributions

Australian contributor to the Basil Blackwell publication, The Year's Work in Critical and Cultural Theory. My annual section is titled 'Australian popular culture and media studies.'

Years published:

  • Year's Work for 1994 (1998)
  • Year's Work for 1995 (1998)
  • Year's Work for 1996 (1999)
  • Year's Work for 1997 (2000)
  • Year's Work for 1998 (2000)

The publication moved to Oxford University Press from the 1999 edition. My annual section remained in the revamped publication.

Journal Articles

2007

“28.06.42.12,” Online Opinion, November 8, 2007, http://www.onlineopinion.com.au/view.asp?article=6618

“As cool as the crickets,” Arts Hub, February 12, 2007, http://www.artshub.co.uk/uk/newsPrint.asp?sId=152564

“Beyond the Boarding Pass:  Managing Diversity in Universities,” The Julie Mango, Vol. 3, August 2007, http://www.juliemango-publications.com/essays3rdedition/tarabrabazon.html

“Creative Doctorates/Creative Education,” Nebula, August 2007, http://www.nobleworld.biz/images/L_and_B.pdf,  (written with Stuart Laing)

“Into the night-time economy,” Nebula, September 2007, http://www.nobleworld.biz/images/M_and_B.pdf

“Lillee, Gilly and the WACA,” Community Literacy Journal, Vol. 2, No. 2, September 2007 (URL and pp forthcoming)

“Mobile learning:  the iPodification of Universities,” Nebula, April 2007, www.nobleworld.biz/images/Brabazon.pdf

“Never trust a man wearing white shoes,” Arts Hub, March 21, 2007, http://www.artshub.co.uk/newsprint.asp?sId=155259

“Patient pop for an accelerated age,” Arts Hub, March 26, 2007, http://www.artshub.co.uk/uk/newsPrint.asp?sId=155394

“Punking yoga,” Reconstruction: studies in contemporary culture, February 2007, www.reconstruction.eserver.org/071/brabazon.shtml

“Sex in the spinning” EnterText,  Vol. 7, No. 3, October 2007 (URL pending)

“Two bars in control,” Online Opinion, October 17, 2007, http://www.artshub.co.uk/uk/listNews.asp?catId=9&sType=column

“University 2.0,” Arts Hub, http://www.artshub.com/us/news.asp?sId=157784,

“You’ve been Jaded,” Arts Hub, March 2, 2007, http://www.artshub.co.uk/uk/newsPrint.asp?sId=154064

2006

"A game you play with your brain," Arts Hub, July 13, 2006, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=97771

"Fitness is a feminist issue," Australian Feminist Studies, Vol. 21, No. 49, March 2006, pp. 65-83

"Giving scissors to the Sisters: Ana Matronic and cutting up the popular cultural landscape," MP, May 23, 2006, http://www.academinist.org.mp/current/a1mp06.html

"Hearing the difference: new theories of Audio Culture," Perfect Beat, 2006 (forthcoming)

"Herpes for the information age: plagiarism and the infection of universities," Fast Capitalism, (forthcoming)

"I know that I won’t be leaving here with the Archduke," Arts Hub, March 10, 2006, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=91063

"I'm with stupid," Arts Hub, June 16, 2006, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=96068

"I-podding i-dentity," Arts Hub, April 12, 2006, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=92957

"John Howard should read more," Arts Hub, May 12, 2006, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=94321

"Kevin Moore and the politics a popular cultural museum," Museum Management and Curatorship, September 2006 (forthcoming)

"Off World Sounds: building a collaborative soundscape," M/C, Vol. 9, No. 2, May 2006, http://journal.media-culture.org.au/0605/13-brabazonmallinder.php (written with Stephen Mallinder)

"Popping the museum: the cases of Sheffield and Preston," Museum and Society, September 2006

"Revealing exchange: review of Ten pound Pom," Australian Historical Studies, April 2006 (forthcoming)

"Socrates in earphones: the ipodification of education," Fast Capitalism, http://www.fastcapitalism.com, July 2006 (forthcoming)

"The eighth deadly sin," Arts Hub, February 9, 2006,http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=895638

"The Google Effect," Libri, September 2006 (forthcoming)

"The last punk," Arts Hub, January 9, 2006, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=87983

"Thinking pop literacies," Australian Library Journal, 2006 (forthcoming)

2005

"Bad Wolf," Arts Hub, October 24, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=84473

"BA (Telemarketing), Online Opinion, October 27, 2005, http://www.onlineopinion.com.au/view.asp?article=122

"Beyond the seducer," Arts Hub, June 17, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=75943

"Black Angel," Arts Hub, December 19, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=87543

"Burning towers and ashen learning: September 11 and the changes to critical literacy," Australian Library Journal, Vol. 54, No. 7, February 2005, pp. 6-23

"Coalition of the guilty," Arts Hub, January 12, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=69081&action=announce

"Crazy frog capitalism," Arts Hub, August 22, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=80543&action=announce

"Digital Disposal: the iPodification of waste,"Verb, Vol. 3, No. 1, October, 2005, http://verb.lib.lehigh.edu/index.php/verb/article/view/21/22

"Downloading democracy," Arts Hub, September 26, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=82750&action=announce

"Freaky dancer," Arts Hub, February 16, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=70267&action=announce

"Freedom from choice: who pays for customer service in the knowledge economy?" M/C special issue "Order," Vol. 7, No. 6, January 2005, http://journal.media-culture.org.au/0501/02-brabazon.php(.)

"From Eleanor Rigby to Nannanet: the greying of the World Wide Web," First Monday, Vol. 10, No. 12, 2005, http://www.firstmonday.org/issues/issue10_12/brabazon/index.html

"I don't believe you. You're a liar," Arts Hub, November 17, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=85866&action=announce

"It's in the post: the post-subcultures reader," Youth Studies Australia, Vol. 24, No. 3, September 2005

"I've seen the future of popular music and her name is the Scissor Sisters," Arts Hub, March 22, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=71396&action=announce

"Jingling the single: the i-Podification of the music industry," AQ, Vol. 77, September 2005 (written with Felicity Cull, Mike Kent and Leanne McRae)

"Life, death and disco," Arts Hub, July 20, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=78160&action=announce

"Revealing exchange: review of Ten pound Pom," Australian Historical Studies, December 2005

"Two Bars," Arts Hub, April 18, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=72587&action=announce

"Wayne's World," Arts Hub, May 18, 2005, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=74190&action=announce

"What have you ever done on the telly? The Office (post) reality television and (post) work," International Journal of Cultural Studies, Vol. 8, No. 1, 2005, pp. 105-121

2004

"28.06.42.12," Arts Hub, October 12, 2004, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=66237&action=announce

"A house on a street in the town I'm from," Journal of Australian Studies, Issue 25, July 2004, http://www.api-network.com/cgi-bin/reviews/print.cgi?n=0521542952

"Bachelor of Arts (Google): Graduating to information literacy," Keynote Paper, IDATER on-line conference on e-learning in Science and Design Technology, Loughborough University, August 2004 (URL: http://www.lboro.ac.uk/departments/cd/docs_dandt/research/ed/elearning/Lead%20papers/BrabazonPDF.pdf

"From leotards to Lyotard: a journey through film, theory and politics," Senses of Cinema, July 2004 http://www.sensesofcinema.com/contents/books/04/32/pandoras_box.html

"It's only food, dude," Arts Hub, August 19 2004, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=64667&action=announce

"Mad about the Boy (London)," Arts Hub, July 12, 2004, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=63290&action=announce

"Perth's Spin," Online Opinion, April 15, 2004, http://www.onlineopinion.com.au/print.asp?article=2138

"Rising from the Ashes: Australian sport beyond the Sydney Olympics," Sport and Society, June 2004, pp. 113-116

"Skirt, cap and gown: How fair are universities to female postgraduate students?" Cultural Studies Review, Vol. 10, No. 1, March 2004, pp. 161-175

"Singing the city," Arts Hub, November 17, 2004, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=67292&action=announce

"Stop crying—start thinking," Arts Hub, May 28, 2004, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=61923&action=announce

"There is a light that never goes out," Arts Hub, June 18, 2004, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=62542&action=announce

"When Paris became a celebrity not a city," Arts Hub, September 15, 2004, http://www.artshub.com.au/ahau1/process/printnews.asp?ContentID=65376&action=announce

"Who cares? Perth Glory and the making of (Australian) Association football," AQ, June 2004, pp. 25-32

"Violence against women and sport's culture of women as accessories," Online Opinion, May 4, 2004, http://www.onlineopinion.com.au/view.asp?article=2181 (with Debbie Hindley)

"You've got to have a good haircut," Senses of Cinema, March 2004, http://www.sensesofcinema.com/contents/04/31/live_forever.html

2003

"A study in black and grey: Aberfan and the politics of forgetting," M/C special issue "Share," http://journal.media-culture.org.au/0304/07-blackandgrey.php, April 23, 2003. Reprinted (with permission) by On Line Opinion, "Shared tragedy and mediated grief: television as collective witnessing," http://www.onlineopinion.com.au/view.asp?article=343

"Bending men through Beckham," The Age, March 5, 2003, p 6

"Billy Bragg: songs and revolution, pop and politics," On Line Opinion, October 7, 2003, http://www.onlineopinion.com.au/view.asp?article=770

"How writing skills can be transformed through a shared personal tragedy," On Line Opinion, September 5, 2003, http://www.onlineopinion.com.au/view.asp?article=678 (written with Angela Jones)

"The revolution will not be shushed: guerrilla librarians fight for literacy," On Line Opinion, July 23, 2003, http://www.onlineopinion.com.au/view.asp?article=568

"We're on our way: Stuart Clarke and Homes of Football," Homes of Football, http://fp.homesoffootball.f9.co.uk/we're_on_our_way.htm.

"Whiteboard, docs and a boa: Edith Cowan and the making of political women," AQ, Vol. 75, No. 4, July-August 2003, pp. 28-34

2002

"911 Girl: Elizabeth Wurtzel's More, now, again," The Age, May 11, 2002, p. 9

"A better man?" International Journal of Cultural Studies, Vol 5, No. 1, 2002, pp. 45-88

"Bonfire of the literacies: (il)Literacy in the informatic age," Social Alternatives, Vol. 21, No. 3, 2002, pp. 55-60

"Dancing through the revolution," Youth Studies Australia, Vol. 21, No. 1, March 2002, pp. 19-24

"Book Memory and the administration of knowledge," Libri, Vol. 52, No. 1, March 2002, pp. 28-35

"Libraries and the privatisation of knowledge," MIA, No. 103, May 2002, 124-134

"Think tactically—act regionally: a cultural memory introduction," Transformations, http://www.cqu.edu.au/transformations, Vol. 3, 2002

"Ring of confidence," The Sydney Morning Herald—Spectrum, March 23-24, 2002, pp. 6

"Spirit 2000: An Olympic games for all Australians," Australian Screen Education, Issue 28, 2002, pp. 217-218

"We're one short for the crossing: the reading of a wall," Transformations, Visual Memory Special Issue, http://www.cqu.edu.au/transformations, Vol. 3, 2002

"What about the women? Susan Hopkins' Girl Heroes, The Age, August 8, 2002, p. 6

"Why 'consumers' avoid the degree stores," The Australian Higher Education Supplement, Wednesday December 4, 2002, pp. 26-27

2001

"Buff Puffing an Empire," Continuum, Vol. 15, No. 2, 2001, pp. 187-200

"Communication in practice: the supervision of distance education teachers," Australian Journal of Communication, Vol. 28 (2), 2001, pp.91-110

"Introduction: Serenity Now," Continuum, Vol. 15, No. 2, 2001, pp. 141-144 (Written with Wendy Parkins)

"Feminists Walls: Abbey Road and Popular Memory," New Zealand's Women's Studies Journal, Visual Cultures Special Issue, 2001, pp. 66-84 (I also took the cover photography for this issue)

"How imagined are virtual communities?" Mots Pluriels, http://www.arts.uwa.edu.au/MotsPluriels/MP1801tb2.html, No. 18, August 2001

"Internet teaching and the administration of knowledge," First Monday, http://firstmonday.org/issues/issue6_6/brabazon/index.html, June 2001

"Selling silicon snake oil: the buying and selling of education," AQ, September 2001, pp. 27-35

"Theoretical echoes and textual apparitions: Postmodern media culture," Media International Australia, No. 98, February 2001, pp. 184-185

"The spectre of the spinster," Senses of Cinema, [on-line], http://www.sensesofcinema.com/contents/01/13/spinster.html, no. 13, April 2001

"Together in Electric Dreams? Narratives of self, sex and romance in the film Electric Dreams." Metro, No. 126/127, 2001, pp. 33-35

"Welcome to the Robbiedome," Feature article, M/C—'Sick' special issue, http://journal.media-culture.org.au/0106/robbie.php, No. 2, 2001

2000

"Bette Davis and her Camillias," Hecate, Vol. 26, No. 2, 2000, pp. 98-112

"Dancing through a memory," Irish Studies Review, Vol.8, No. 2, March 2000, pp. 286-288

"From crayons to perfume, to content providers: teaching in the Informatic Age," Social Alternatives, Vol. 19, No. 1, January 2000, pp. 40-46

"He lies like a rug: pondering digital memory," MIA, No. 96, August 2000, pp. 56-64. This article was reprinted (by request) in Media Development (United Kingdom), No. 1, January 2001, pp. 6-12

"Reading (on) a red sofa," Continuum, Vol. 14, 2000, pp. 140-143

"Time for a change or more of the same? Les Mills and the masculinisation of aerobics," Sporting Traditions, Vol. 17, No. 1, November 2000, pp. 97-112

"We'll always have Paris? Fighting the People's War in Popular Memory," Senses of cinema, http://www.sensesofcinema.com/contents/00/2/Paris.html, [on-line], No. 2, January 2000.

1999

"A pig in space? Babe and the problem of landscape," Australian Studies, Vol. 15, No. 1, Autumn 1999, pp. 149-158

"A red light sabre to go—and other histories of the present," M/C, Vol. 4, No. 2, 1999, http://journal.media-culture.org.au/9906/sabre.php

"Bored of the dance: not in this Irish world," AQ, May-June 1999, pp. 10-17 (written with Paul Stock)

"Britain's last line of Defence: Miss Moneypenny and the desperations of filmic feminism," International Women's Studies Review, Vol. 22, No. 5, September-October 1999, pp. 489-496. (an earlier version of this article appeared in Hecate, Vol. 24, No. 1, 1998, pp. 93-104.)

"Interrupting the festivities: Digitising HAL's memory," LIBRI, Vol. 49, No. 3, September 1999, pp. 159-165

"Noel Coward's Singapore Sling," The Southern Review, Vol. 32, No. 1, 1999, pp. 72-85

"Pizza for a Princess: Consuming Julie Burchill's Diana," in Hecate's Australian Women's Book Review (AWBR), Vol. 11, 1999, pp. 4-5

"Star Wars and Writing Popular Memory," Youth Studies Australia, Vol. 18, No. 4, December 1999, pp. 11-16

"We'll always have Tatooine?" Australian Journal of Communication, Vol. 26, No. 2, 1999, pp. 1-10.

"We Love You Ireland:' Riverdance and stepping through Antipodean memory," Irish Studies Review, Vol. 7, No. 2, 1999, 154-169 (written with Paul Stock)

1998

"Brixton's Aflame: Television History Workshop and the other Battle of Britain," Limina, Vol. 4, 1998, 49-55

"I'll never be your woman: The Spice Girls and New Flavours of Feminism," Social Alternatives, Vol. 17, 1998 (written with Amanda Evans), pp. 39-42.

"Save Ferris? A guide to Xer media/citizenship," Metro Education, No. 14, 1998, pp.9-13

"What's the story morning glory? Perth Glory and the imagining of Englishness," Sporting Traditions, Vol. 14, No. 2, 1998, pp53-66

1997

"Boot politics: pondering the Antipodean Doctor Marten Boot," Continuum, Vol. 11, 1997

"Disco(urse) Dancing: Reading the Body Politic," Australian Journal of Communication, Vol. 24, No. 1, 1997, pp. 104-114

"Making it Big: Julie Burchill, Bitch Politics and Writing in Public," UTS Review, Vol. 3, No. 1, 1997. This piece was also reprinted (by request) in the refereed on-line journal, Australian Humanities Review, June 1997

"The scent of a green carnation," Social Semiotics, Vol. 7, No. 1, 1997

"Trace THE FACE: style journalism in the 1980s," Limina, Vol. 3, 1997, pp. 24-32

1996

"'It started on Queen Street': popular music, cultural identity and the question of landscape," Continuum, Vol. 10, No. 1, 1996, pp. 152-167

"No future? Postyouth and the politics of memory," Youth Studies Australia, Vol. 15, No. 2, June 1996.

"What will you wear to the Revolution? Thatcher's Genderation and the fashioning of change," Hecate, Vol. 22, No. 2, 1996, pp. 114-127

1995

"Queer Sisters: The Politics of Fag Haggery" (written with Vanessa Evangelista), Antithesis, Vol. 7, No. 1, 1995, pp. 67-74. This article was also reprinted (by request) in Limina, Vol. 1, No. 1, 1995

"Something queer is going on here: A binary outlaw's tour through Orlando," Critical Inqueeries, Vol. 1, 1995, pp. 113-128. This article was also reprinted (by request), in shortened form, in Outskirts, Vol. 1, May 1996, pp. 4-7

1994

"Reading Tilda: A Swinton guide through bodily textualization," Social Semiotics, Vol. 4, 1994, pp. 9-30

1993

"At your own risk: Derek Jarman and the (semiotic) death of a film maker", Social Semiotics, Vol. 3, 1993, pp. 183-200

"From Penny Lane to Dollar Drive: Liverpool and a Beatle-led recovery", Public History Review, Vol. 2, 1993, pp. 108-22

"'What are you lookin' at?' Madonna, Sex and a Medusian vision" (written with Vanessa Evangelista), Antithesis, Vol. 6, No. 2, July 1993, pp. 71-80

 

 

 

Brabazon.net last modified November 2007 © 2000-2007 Tara Brabazon. All rights reserved. No part of this website may be reproduced without prior permission from the copyright owner, unless permitted by law or by terms agreed to by the appropriate copyright licensing agency. The information on this website is for personal and/or educational use only, and is provided in good faith without any express or implied warranty.